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Censer Sensibility

A 2,000-year-old gilt-bronze incense burner known as the Boshan Censer from the Western Han Dynasty bridges ancient history with contemporary storytelling due to its perceived connection to blockbuster Nezha 2

By Song Yimin , Wang Yuyan Updated May.1

Amid the wave of excitement surrounding the hit animated movie Nezha 2, an artifact known as the Boshan Censer has unexpectedly captured the public’s attention due to its striking resemblance to a key item in the film referred to as the “Seven-Colored Treasure Lotus.” 

The climax of Nezha (2019) sees main characters Nezha and Aobing becoming spirits, their bodies disintegrating. To restore them, Taiyi Zhenren, Nezha’s master, devised a plan to reconstruct their bodies using the seven-colored lotus, which appears at the beginning of the blockbuster sequel. 

After Nezha 2 broke box office records, becoming the top global grossing animated film of all time, Hebei Museum in provincial capital Shijiazhuang, where the incense burner is on display, is breaking visitor records of its own. More than 2,000 years after its creation, this ancient artifact still sparks such widespread interest.

The Boshan Censer, unearthed from the mausoleum of Liu Sheng, a member of the nobility of the Western Han Dynasty (206 BCE-8 CE) is displayed at an exhibition at Hebei Museum, Shijiazhuang, Hebei Province, April 6, 2024. With its resemblance to an animated artifact called the Seven-Colored Treasure Lotus in movie Nezha 2, the roughly 2,000-year-old incense burner recently gained unexpected popularity (Photo by VCG)

A screenshot of the “Seven-Colored Treasure Lotus” depicted in the animation blockbuster Nezha 2

Accidental Discovery
In 1968, a small engineering unit of the People’s Liberation Army (PLA) was conducting construction work near Mancheng, not far from Baoding in Hebei Province. After a mountain blasting operation, the unit discovered a soldier was missing, having fallen into a huge cave, which contained much more than a missing man. 

The cave revealed bronze ware, jade artifacts, pottery and other ancient valuables – a veritable treasure trove. Experts from the Hebei Provincial Bureau of Cultural Relics made a secret inspection, and through inscriptions on the bronzes, they discovered it was a burial site of a king from the Zhongshan Kingdom over 2,000 years ago. 

Historically, there were two Zhongshan Kingdoms. One was established by northern tribes during the Warring States period (475-221 BCE). However, the inscriptions on these bronzes were in Han clerical script, confirming that the artifacts were from a Han Dynasty (206 BCE-220 CE) tomb of the Zhongshan Kingdom. 

Because the Han Dynasty was known for its lavish burial customs, tombs from that era were often filled with abundant burial goods. As a result, many Han tombs were looted long ago. In 1968, no Han tomb had been discovered in pristine condition. Moreover, the owner of this particular tomb was a person of very high status. So how had it remained untouched? 

The reason lies in its unique construction. Unlike other Han tombs, it was built into a mountain, making it a cliff tomb – a natural cave repurposed for burial. Among Han emperors, only Emperor Wen of Han, who died in 157 BCE, had a similar burial site. 

It was hard to find the soldier who fell into the cave because it measured 6.8 meters from floor to ceiling, with an interior space resembling that of a grand ballroom. It held thousands of burial items, complete with a main chamber, passageways and side rooms to the north and south, resembling multiple rooms. 

The discovery of such a high-status Han tomb was major news. The question arose: should such a high-profile Han tomb be excavated? Could it lead to more upheaval? This sensitive dilemma landed on the desk of premier Zhou Enlai. 

Zhou consulted Guo Moruo, then president of the Chinese Academy of Sciences, who recognized it as a significant archaeological opportunity. He decided to assemble a joint excavation team consisting of the Institute of Archaeology of the Chinese Academy of Sciences, the Hebei provincial archaeological team, and the PLA. The excavations proceeded in secret. 

Progress was fast. Among the large number of bronze artifacts found, one piece bore an inscription saying “34th year,” but with no other identifying date. It was hard to tell which king of Zhongshan it was. Based on historical records, there were 10 Zhongshan kings, but only the first, Liu Sheng, or the Jing King of Zhongshan, had a reign that was long enough at 42 years. They concluded that the tomb must have been his. 

Liu Sheng was the half-brother of Emperor Wu of Han and was ennobled as the king of Zhongshan by their father Emperor Jing of Han. Historical records about him are sparse, but he is described as being “fond of wine and women.” 

He is said to have had over 120 sons, an astonishing number that is specifically noted in historian Ban Gu’s Book of Han about 140 years after Liu Sheng died. While this may seem unbelievable, it is understandable given that Liu Sheng apparently spent much of his time drinking, indulging in pleasure and fathering children. 

Liu Sheng is a familiar figure to many because of the later warlord Liu Bei (161-223). He claimed ancestry from Liu Sheng, eventually rising to become ruler of the Shu Kingdom during the Three Kingdoms period (220-280). With so many sons, Liu Bei’s claim of being a descendant is hard to verify. 

Politically, Liu Sheng was well aware of the delicacy of imperial power. To avoid being drawn into the power struggles of the court, he adopted a strategy of self-preservation, focusing his energy on enjoying life. Whenever officials tried to discuss court affairs with him, he would deflect the conversation with excuses. 

However, Liu Sheng was not entirely without accomplishments. During his reign, he developed his fiefdom’s economy, ensuring a relatively stable life for the people. The exquisite artifacts unearthed from his tomb reflect his luxurious lifestyle and pursuit of culture and the arts. 

During the excavation, archaeologists meticulously cleaned every corner, careful not to overlook any important clues. A wealth of precious artifacts came to light, offering a much deeper understanding of the Western Han Dynasty (202 BCE-8 CE).

Exquisite Artifacts 
Among these treasures, the Gilt Bronze Boshan Censer lay quietly in one of the burial chambers. It is a vivid reflection of the lifestyle and cultural tastes of Liu Sheng. 

The tomb itself consists of two separate burial chambers belonging to Liu Sheng and his wife Dou Wan. Together, they yielded 10,633 artifacts, including over 4,000 exquisite pieces. The Boshan Censer, a heavyweight among these relics, stands alongside the Jade Burial Suit Sewn with Gold Thread and the Changxin Palace Lantern as highlights. They showcase the highly materialistic civilization of the Western Han Dynasty’s golden age and the creativity of its artisans. 

The Boshan Censer is extraordinary, standing 26 centimeters tall and entirely cast in bronze. Its body is shaped like a dou, a type of ancient vessel, with a tall, pointed lid that mimics the legendary mythical mountain of Boshan – legendary sacred mountains in the sea where immortals were thought to live, which gives the censer its name. 

The lid is adorned with undulating mountain peaks and swirling clouds, with wild animals running and playing among them. On close inspection, the details are strikingly lifelike: a small deer turns its head warily as if sensing danger, and a tiger flexes its claws, seemingly ready to pounce on its prey. These animal figures are rendered in both relief and full-round sculpture, creating a rich sense of depth and dimension. 

What is even more remarkable is the intricate gold inlay. The gold threads are smooth and flowing, adding a mysterious and luxurious aura. The gold-inlaying technique was highly complex at the time. Artisans had to carve grooves into the surface of the object, embed gold threads into them, and then polish the surface to ensure the gold threads adhered perfectly. 

The Boshan Censer was not merely decorative – it held profound cultural significance and was closely tied to the beliefs and daily lives of people. During the Han Dynasty, people sought immortality and yearned for the realm of the immortals. The Boshan Censer symbolized this sacred place. When incense was burned, the curling smoke rising through the mountain peaks seemed to carry people’s prayers to the celestial realm, embodying the ancient longing for eternal life and a better existence. 

It was also an essential object in the lives of the nobility as burning incense was considered a refined and elegant practice. Chinese literati have always spoken of the “Four Arts of Life” or “Four Gentlemen’s Pastimes:” burning incense, tasting tea, hanging paintings and arranging flowers. Among these, burning incense ranked first. Whether in the imperial court or the mansions of the nobility, people enjoyed burning incense during other activities such as reading, playing instruments or hosting a banquet. The Boshan Censer not only released fragrant smoke to purify the air but also created an atmosphere of elegance and tranquility, showcasing the owner’s status and taste. 

From the moment it was unearthed, the Boshan Censer received meticulous care from archaeologists and cultural heritage conservators. To ensure its long-term preservation, experts employed advanced conservation techniques. After restoration and protective treatment, its surface was carefully maintained, and the intricate gold-inlaid patterns remain clear to this day. 

Today, the Boshan Censer is one of Hebei Museum’s most treasured artifacts. It is displayed in a case with controlled temperature, humidity and lighting. Every day, visitors from across the country come to admire its beauty and craftsmanship. The museum also regularly hosts exhibitions and events to introduce the history and cultural significance of the Boshan Censer. 

The Gilt Bronze Boshan Censer, an artistic treasure that has traveled through time from the Western Han Dynasty, is not only an exquisite piece of craftsmanship but also a vivid historical textbook. It bears witness to the great civilization of ancient China and carries the wisdom and emotions of its people. With the renewed interest sparked by Nezha 2, it has re-entered the public eye, inspiring a deeper fascination for cultural relics.

The gate of the mausoleum of Liu Sheng, a ruler in the Western Han Dynasty (206 BCE-8 CE) in Mancheng County, Baoding, Hebei Province, February 14, 2023 (Photo by VCG)

A tomb chamber of the mausoleum of Liu Sheng, in Mancheng County, Baoding, Hebei Province, April 12, 2017 (Photo by VCG)

Gold Thread Jade Burial Suits, found in Han Dynasty ruler Liu Sheng’s mausoleum, are displayed in Hebei Museum, Shijiazhuang, Hebei Province, March 12, 2024 (Photo by VCG)

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